karousel is the new alias from irish producer gavin herlihy. forged in the fires of house and determined by a steely dedication to timeless deep dancefloor theory, the alias begins life on one of the uk s most trusted vinyl labels, illusion recordings. gavin started learning to produce in 2005 and less than a year in scored one of the tracks of the year in 2006 with machine a homework, a techno opus hailed by laurent garnier and dj hell as one of the tracks of the year. over the next few years a move to berlin lead to gigs at clubs like panorama bar, fabric and later circo loco while his productions took root in a variety of different genres and big labels. karousel is the expression of gavins house leanings rooted in the sampling of dusty old jazz and disco records and the use of hardware.

seven davis jr.s rougher mix aus (dirty) chicago house, r&b, detroit und p-funk begeisterte bereits auf seinem debütalbum * universes*, welches im mai diesen jahres erschienen ist. nun gibt es zwei tracks aus dem album in brandneuen reworks von den house music titanen karizma und osunlade alias yoruba soul!

uk techno stalwart ben sims adopts his ron bacardi alias for an outing on bass culture records, bringing with him three varying slices of 4x4-based music. d’julz has a deep penchant for bass and funk, and this is evident throughout the ep. we get off to a rugged start with ‘rock your body’, a deliciously dark slice of grumbling techno. intertwined with the morose bassline is a mysterious, tribal-esque female vocal, warped and twisted to add a primal feel to the track. on the flip, bacardi puts his a different hat on giving us ‘first effort’ a vivacious funk-laced hybrid, which teases you spitting out intermittent trumpets and other such live instruments. finally, ‘the money/dub’ goes straight into disco territory with that oh-so-familiar entrancing rhythm that will keep you fixed to its beat from start to finish. that filtered wah-wah guitar is impossible to resist, especially when combined with such crisp percussion. sheer quality from monsieur bacardi…

la nature malade brings along a brand new album of analog electronics for 2015 from a well known uk producer operating under a new alias, aquariun. eden and after is a 9 track album on a limited hand numbered pro dubbed blood red cassette in an edition of 100 worldwide. crossing styles and opening with the sub aquatic funk of title track side one takes you through banging electro on energy in constitution, the dark dub techno of to the letter of my oath and leaves you disappearing through a black hole on the path of helium rain. on side two a slice of dark, heavy instrumental hip hop gets things started with where is that perception? next we get into some straight 4/4 club techno with cut up drums and bumping baseline of mi dominante before moving through some blissed out detroit vibes on earth looking inwards, aliens talking through fm synthesis on collected stills and finally closing out on a rough as you like tr606 driven electro groover. look out for more to come from aquariun in 2016.

das französische duo the silent ones alias aalik und fred traverso hat sich auf eine eigene variante von indie-geprägtem, elektronischem pop spezialisiert, eine zeitgemäße Übersetzung von klassischen cold-wave- und minimal-synth-einflüssen

december is the alias of paris based techno producer tomas more. having released a slew of respected releases under his full name, tomas is mutating his focus towards the a more experimental realm with his work as december. ‘on a leash’ proceeds tomas’s sold out debut cassette for where to now?, and a 12” for blackest ever black ‘in advance of the broken arm’. december’s latest offering for where to now? explores resoundingly tuff and metallic, largely analogue sounding techno jams.

after debuting on rebirth with their new alias easy to remember (inspired by the famous song from st germain of the same name) niro and elia perrone release now on their own unclear label. the ep contains two originals backed by three remixes.royal rumbles obscure synth melody and obsessive pitch changes pave the way to sinister background noises and beats, whereas jazz cowboys free style drumming, syncopated rhythm and xylophones blur the line between house music and free improvisation. minimonos remix of royal rumble brings the kick drum to the fore and adds a staccato bass line coupled with some stop & gos that spice up the vibe of the track. giulio etiopes rendition of jazz cowboys adds some deep pads, flute sounds and a trumpet sample leading into a dreamy break, with def safaris dark rework turning it instead into a galloping percussive tool.

levantis, ein alias von einem der innovativsten elektronischen künstler unserer zeit, wird sein debüt-album *romantic psychology 1* ende oktober 2015 via technicolour records / ninja tune veröffentlichen. es handelt sich um das erste lebenszeichen von levantis seit der 2013 erschienen *believe* ep auf the trilogy tapes und ist ein elf song starkes album *about nigredo and possession of the shadow*. technicolour wurde ursprünglich von ninja tune als reines single-label gegründet. nach 12 inches von legowelt, hieroglyphic being, florian kupfer, kutmah, bnjmn und u ist *romantic psychology 1* das erste album auf technicolour. die schwarze 180g vinylversion kommt in tiefschwarzem sleeve mit lackiertem titel, das innenliegende album-artwork stammt von eve ackroyd und wird gedruckt auf unbeschichtetem 300g kunstpapier. ein downloadcode ist ebenfalls beigelegt.

die sensation ist perfekt: er ist wieder da! wobei ludovic navarre alias st. germain zwar hörbar der alte geblieben ist, sich aber heute dennoch ein klitzekleines bisschen unberechenbarer als sonst präsentiert! exakt 20 jahre nach release seines durchbruchs-debüts »boulevard«, 15 jahre nach veröffentlichung seines dritten longplayers, dem multiplatin-ausgezeichneten »tourist« und nicht zuletzt einer sich über mehrere kontinenten erstreckende world-tour hat der französische electro-visionär tatsächlich den weg zurück ins studio gefunden, um mit »real blues« sein comeback einzuläuten. mit der altjazz-version von »real blues« erscheint nun der remix der ersten singleauskopplung des neuen st. germain albums.

die sensation ist perfekt: er ist wieder da! wobei ludovic navarre alias st. germain zwar hörbar der alte geblieben ist, sich aber heute dennoch ein klitzekleines bisschen unberechenbarer als sonst präsentiert! exakt 20 jahre nach release seines durchbruchs-debüts »boulevard«, 15 jahre nach veröffentlichung seines dritten longplayers, dem multiplatin-ausgezeichneten »tourist« und nicht zuletzt einer sich über mehrere kontinenten erstreckende world-tour hat der französische electro-visionär tatsächlich den weg zurück ins studio gefunden, um mit »real blues« sein comeback einzuläuten. mit der altjazz-version von »real blues« erscheint nun der remix der ersten singleauskopplung des neuen st. germain albums.

he is back. twenty years after boulevard, fifteen years after the multi-platinum album tourist (over 3 million copies sold worldwide) and a world tour spanning several continents, ludovic navarre, alias st germain, finally found his way back into the studio. an uncontested and respected figure in the world of electronic music for the past two decades, a pioneer of the * french touch* and a creator of intelligent and sensual deep house, st germain has always stood out. his consummate art thrives on a subtle mixture of machines and instruments, of authentic roots and modern influences.

the latest release from breachs own naked naked imprint is brought to us by leeds based viers aka jordon saxton. part of the new wave of uk house and techno producers, the forward thinking producer already has five releases under his belt, including a 12inch on seb wildblood and apes church imprint. for his third outing on naked naked, jordon once again assumes his viers alias for another dose of dancefloor-ready techno

nach topremixen für little dragon, jon hopkins und shit robot, sowie veröffentlichungen auf phonica, mule musique, firecracker recordings (sein wunderbarer beitrag zum mac-talla nan creag projekt) und seinem eigenen label little strong, gibt es endlich eine zweite ep von neil mcdonald alias lord of the isles für permanent vacation. clearness of love führt fort, was die letztjährige vielbeachtete 301c symphony ep bereits ausgezeichet hatte: butterweiche clubtracks in denen acid house und 90s techno, atmosphärisch, der filmmusik entliehene, klanglandschaften, ambient und balearische klänge miteinander verschmelzen. alle tracks sind geprägt von mcdonalds frühen einflüssen aus sci-fi soundtracks und detroit techno, sowie von klassikern wie the orb und new order, und auch von der rohen natur seiner heimat schottland - besonders den highlands. 4 stücke verankert in nostalgie und von liebe inspiriert

30 year old inland aka ed davenport is an englishman currently residing in berlin. his release history dates back to 2006 with a steady output of house and techno and he spawned his inland alias in 2012, kicking off his own counterchange imprint with the solstice ep. he also co-manages the infrastructure label alongside function, the pair having produced the odeon/rhyl ep together as function/inland for the label s comeback release after a 9 year hiatus. talking about his ep for nonplus he explains

new 6 track avian release from chicago based musician connor camburn. comes with a printed inner and outer avian jacket. big support from avian fans...
avian s first release since absorbing its sister label mira comes from chicago based musician connor camburn under the alias litüus, with an entirely beatless collection that well establishes avian as the home for the kind of searching electronic experimentation that would have been found on the ten-inch focused imprint that shifted recently announced would merge with its parent label. the ep follows previous cassette releases under the litüus name for brave mysteries, notice recordings and mazurka editions and comprised entirely of real time single-take recordings on hardware instrumentation. shorn of percussive elements yet not without their own rhythmic structures, camburn s six compositions are free of immediate electronic genre influences and instead draw primarily on non-musical inspiration in addition to various other contextual reference points, as he sought to express ideas of the unraveling or -de-composition- of musical or architectural spaces through musical forms imagined as inverted contours and negative spaces.

having debuted on valcrond video label last year with the immured 12- under her familiar xosar alias, sheela rahman now returns to the platform for some shared make-believe with founder luke wyatt for new project body tools. taking a catalogue number as its title, this two track 12inch follows a succession of body tools radio broadcasts on berlin community radio and showcases a softer, more hypnotic side which in the case of lead track locusts & lions hits hard when the poignant piano makes its presence felt. brave channels a strange, modern kosmische vibe that will really hit the spot deep in the mix.

this other space makes his viny debut on tasteful nudes with * the tom ep*. the veteran musician from sweden launches his new alias with three perfect portions of catchy machine funk. here the producer balances vintage sounds and contemporary angles, keeping his crunchy grooves fresh and floor-filling. the record artwork features original artwork by chicago artist steven vainberg.

the recognition is a new alias from johan antoni who works in stockholm’s finest synth shop jam syntotek. all the tracks are produced in his home...dope stuff!

for 07 ruff draft enlists twins who turns in a dark, dystopian, club sound scape that hits all the right spots. hayworth is another alias of a well known producer to us ruff drafters, here he creates a track with an intro that teases and teases you before the beat drops and things get all sweaty. cottam digs out some acid from the hard drive, an old forgotten about track that finally gets a release.

repress of this classic various artists ep from four upcoming producers, oscillating somewhere between raw ware-house techno, bristolian-like uk bass and trippy lo-fi house.

seth troxler and the martinez brothers’ tuskegee music continues to deliver the goods behind releases from kool d, ex-trouw resident william kouam djoko and seth himself. now on their 6th release, tuskegee present a new collaborative effort between the martinez brothers, jesse calosso and phil moffa who - operating under their new production alias soundview, piece together a tribute to rob fernandez.

following a string of well-received outings for the project on his own black catalogue label, monty luke debuts his mandingo alias on matt edwards rekids with the parallel universe ep. firmly establishing himself as a brightly talented producer, dj and a&r over the past eight years with releases on planet e and mothership in addition to his own detroit-based imprint, the san franciscan s three tracks offer alternate perspectives on his richly honed sound, drawing on influences from his homes old and new as well as further afield, such as the hybrid electronic sounds of london and bristol.

carl finlow could be regarded as one of the cornerstones of not only 20/20 vision, but also of british electronic music. his boundary pushing, electro-tinged productions under the random factor alias make for essential 20/20 listening, as does his work as 1/4 of 2020soundsystem. while this year has been about looking to the future of the label, we also felt it was important that we looked deep into our history and revisited one of our all time classic records: random factor – broken mirror. on the a side carl has prepared a new ‘revisted’ version for this release and this is accompanied by the original version from 1999. for the remixer we thought long and hard about someone we felt would be suitable. someone with pedigree in the electro scene, who would feel as passionate as we do about making this release something truly special. there was only really one person we wanted and luckily when we contacted legowelt he was a big fan of the original track and was super keen to get onboard the project. we hope you enjoy these two pioneers of the electro scene going head to head x

kevin martin alias the bug kollaboriert mit der jamaikanischen dancehall-reggae-legende burru banton und liefert uns zwei monströse tracks! die 12inch erscheint auf rotem vinyl und mit gravur auf der b-seite!

one of detroit’s most relevant names in modern techno “terrence dixon” joins the modularz roster of producers with his debut ep that features both his terrence dixon name and his alias population one on the same ep. terrence dixon submitted this ep to modularz a couple months back and said to us that he had something special for the modularz label - with the intention of releasing a well balanced ep with deep grooves, stripped down rawness and funky hypno rhythms we felt this would be a great addition to our catalog. we are very pleased to present this release and continue to show our range and our diversity in the techno genre

archie fairhurst alias romare veröffentlichte im februar bereits sein langerwartetes debütalbum * projections* via ninja tune - ein potpourri aus house, detroit techno, future r&b, jazz und elektronik! mit * rainbow* erscheint jetzt einer der stärksten albumtracks als single. der track ist eine hommage an die us-disco-szene der späten 70er jahre! neben den beiden versionen von * rainbow* wartet die 12 inch noch mit einem brandneuen track * love song* auf.

brand new excursion into eastern territories curated by zambon of the very polish cut-outs and transatlantyk fame. five obscure disco tracks from late soviet era edited, reworked and remixed into dancefloor bliss by creme de la creme of russian and belarusian producers. among the editors we will find leonid lipelis (known from collaborating with brennan green and his own label thats a steal, here working under the alias beard in dust), moscow based diggers crew shiny boots grodno based edit wunderkind schmoltz, st. petersburgs krjuk and the papers from ekaterinburg. tracks range from balearic pop stomp of alla pugachevas *kafe*, through to the blue-eyed slavic soul of tatiana kochergina, to big band funk full of breaks and even russian disco rap with baby scratches! drink some vodka and taste the disco sound of the soviet union.

am 23. juli feiert der film -becks letzter sommer- mit christian ulmen in der hauptrolle seine leinwandpremiere. ein intensives kinoerlebnis mit einem intensiven soundtrack. der stammt von dem schweizer tobias jundt alias bonaparte. vom ersten ton an wird klar: kaum ein musiker lebt seine fantasien mit einer vergleichbaren intensität aus wie der wahl-berliner. zudem ist die paarung ulmen-jundt perfekt, da die beiden bereits während der vergangenheit in der band cashpunk künstlerisch zusammengearbeitet haben.
das limitierte orange-transparente doppel-vinyl erscheint im klappcover, inklusive downloadcode.

aus music continue to roll them out and ready their latest offering - a curveball from gerd who dusts off his geeeman alias and offers up wanna go bang: a ghettocentric package backed up with fellow clone associate alden tyrell on remix duties. under his many guises, gerd is an artist who has consistently reaffirmed his reputation as a producer capable of soundtracking peak-time moments across releases on catch, royal oak, clone and his own 4lux.

seriously underground minimal house on offer here from chicagos hakim murphy under a new alias. kallabo is the kind of mysterious, candle lit deep house you d hear on a giegling record. -porta- shuffles and bleeps in a more uptempo outing where you can hear the noise of tape in the background, competing with the hiss of the 808 hats to stunning effect. boops bring the funk in this reductionist house jam for analogue freaks. finally raw intuition stomps away with its brutal modular synth bassline run through a delay and knocking down everything in sight! highly recommended!

transition lab recordings is proud to present our next vinyl. the release 005 will continue the limited series called lab series. it iss time for the volume 2 which includes four tracks, two produced by optimist, side a (alias by the duo of hiver), and other two on the b-side from mirror 1.

ambivalent adapts the raw hardware strategies of his la-4a alias into peak-time analog techno. truncate is on remix duty and delivers one of his power techno productions to top the release off. nice going for this fresh new label!

motor city. the home of hi-tek soul. or simply, the origin. just a few of the names with which to descibe a city in the heart of america that has the power to captivate ones imagination. in the early 20th century it revolutionized transport, ushered in an age of previously unknown mobility and became the automotive capital of the world. during the 60s it gave us motown, one of the most influential r&b and soul record labels to ever exist. and, before the turn of the millennium, it would bring forth another musical revolution: the one called techno music. to abstract division, the city of detroit and its artists are a major source of inspiration. as such, they decided their newest metropolis ep was to be an hommage, a means of giving back. this special package includes an original track that keeps close to the spirit of melodic, rhythmic, minimalism detroit is known for. it also features three very special remixes by close friends oscar mulero - under his trolley route alias (which he hasnt released music under since 2010) - function, who ups the darker ante and marcel fengler who infuses it with his trademark berlin funk.

on their launch last september, australian label analogue attic promised to showcase the gentle side of electronic music down under. theyre as good as their word on this second release, which comes from rory mcpike under his rings around saturn alias. operating on a similar plane to the tactile, picturesque soundscapes of lord of the isles more spacey work, both erosion and portion 22 offer dreamy chords, becalmed melodies and sparse, spaced-out rhythms. there are a few sly winks towards vintage ambient house throughout, particularly on gypsy village, a luscious combination of liquid melodies and eyes-closed hypnotism. label bosses sean la brooy and alex albrecht go further towards vintage ambient territory on their sublime bathtime arrangement of portion 22.

london-based artist the room below follows 2014’s dba debut (as part of the 015.5 v/a release) with a mixture of classic and experimental house sounds. born in bristol, raised in dorset and residing in the capital, henry keen aka the room below has been djing and collecting vinyl for over 20 years. as soundspecies alongside his brother he was championed by gilles peterson’s worldwide show and london institution cdr. the alias ‘the room below” was coined to coincide with henry’s analogue re-working of close friend paul white’s ‘rapping with’ lp. since then he has maintained this alias for his house and techno composition. they pay homage to the legendary chicago and detroit artists that inspired him back in the 80’s and 90’s.

hinter mias void verbirgt sich der vielseitige elektroniker, dj, keyboarder und jazzpianist matthias vogt, *return to bliss* ist seine debüt-ep für das label born electric. das titelstück bezieht sich auf vogts titel *bliss* aus dem jahr 2011, für dessen remix er sein techno-pseudonym mias void nutzt, unter dem er 2013 bereits die ep *tactics* veröffentlichte. *return to bliss* wird begleitet von drei mixen: ikonika club remix von sara abdel-hamid alias ikonika, the models dance to trance remix von radu munteanu aka the model und ikonika bliss pop remix. die platte ist limitiert auf weltweit 300 exemplare.

nice price deal !!! argentine jonas kopp continues his untidy alias with two bass heavy techno gems, inspired by the 90s us school sound. while releasing under different aliases for labels as tresor and indigo area, contemporary techno artist kopp decided to start his own untidy series. after two cuts, skudge has the honor to present kopps first appearance under this moniker outside of his own imprint.

sheik ‘n’ beik are a nyc based cohort specialising in promotion, production and outletting left­of­centre slices of electronic music. with previous releases from family members derek marin, voiski and peter corvaia their 4th release comes courtesy of danny wolfers (a.k.a legowelt) working alongside rush hour regular xosar under their xamiga alias. with this being xamiga’s 3rd release, the pair draw for their trusted arsenal of analogue gear and offer up the ‘bohemian grove’ ep, a woozy brew of foggy textures, gently frazzled hats and detroit­indebted grooves. the title track kicks things off with glassy pads sat atop a long­tailed thud and a sandy shuffle. a distant bass groove wades in ahead of a passage of intricate, band­passed percussion and a circling synth line before ‘cumulus versie’ sets sheets of ethereal vocals and synth strings gently ducking under a taught analogue pulse. ‘midwest’ then sets hissing kicks and frayed hi­hats alongside a rasping bass tone. pitch­bent synth lines then bubble into focus before ‘blizzard’ sets a dystopian tone from the off. a stout kick drum thunders under minor­key chord shifts and a menacing sequence that works to round off another fine addition to the sheik ‘n’ beik series.

mit dem nachfolger von *how it is*, seiner 2013er-single auf dem label hypercolour, wagt der englische deep-house-produzent j. wiltshire einen ganz schönen sprung: vom verführerischen deep-house-sound zum reifen, grüblerischen electro body popping bizzness. naben dem originalmix von *false awakening*, der mit einem schönen synthesizer-pizzicato zu einem elektrogefärbten beat eröffnet, finden sich hier ein clubby tool mix sowie zwei remixe von tuff city kids alias gerd janson und phillip lauer (remixten bereits numbers, crème organisation und visionquest): einen remix und eine dub copy.

no labelcoverartwork - just standardcover. for the first time this ep unites hood’s two dancefloor personalities on a brand new release. with one track as robert hood and the other under his floorplan alias we certainly get the best of both worlds.

played by vorres (vrrs), kixnare, natan h, lumitecc, noizar (wicked bass), cecil (artfuldivision), steve murphy
for his comeback release on ukraine s wicked bass label, the gloomy producer hiding behind the alias raw m.t. presents another set of trippy, yet noticeably simplified masterpieces of 90 s e-werk informed analog techno. falling into nowhere with its melancholic xylo drops and twin peaks infused pads takes us to a setting of descending sadness, while random peak leads and swinging hats on abductions and essense , in contrast, contribute to a much more dancefloor-friendly and optimistic picture. three fine cuts that will work both at peak and afterparty time.

ian pooleys new techno label montage follows up the inaugural release from his silvershower alias by handing a label debut to hans berg, the swedish producer with previous releases for kant and known for collaborations with johanna knutsson.

known for his work on the antinote label as dk, 45 acp is the alias of parisian producer dangkhoa chau. hot tip!

played by martin haberland, james ornate, james what, agnostic rhythm, anna wall, lance desardi, kammerton
following the release of their debut lp, keep up appearances on their new label modelmaker, dan berkson and james what draft in frank & tony, dana ruh, dorisburg and alan doe for remixes. berkson & what have chalked up many releases on poker flat and crosstown rebels over the years whilst most recently turning heads outside of their own modelmaker imprint via singles for dogmatik and seth troxler s play it say it. the duo s lp, released in january, marked a new chapter in their production history and has seen support from josh wink, mr g and skream over the past few months. keep up appearances - remixes opens with anthony collins and francis harris superb frank & tony alias taking on seraphim which results in a tense but understated piece of layered, classic sounding house music while dana ruh, fresh from her excellent debut lp on underground quality last year, drops an eerie recreation of worship that draws on spacey synths and unsettling ambience. dorisburg, known for outstanding material on sweden s aniara amongst others, continues a sterling run of form with a rendition of feel free which employs soaring chords to fashion a luscious and elevating take on the original. rounding off the package is berlin producer alan doe, an artist who debuted on rue de plaisance in 2014. doe s worship remix is squarely dancefloor-aimed with punchy kicks, smokey effects and teasing keys

zweite singleauskopplung vom debütalbum des deutsch-chilenischen elektronikers.
im frühjahr 2015 erschien das debütalbum des in london lebenden deutsch-chilenischen elektronikmusikers dario rojo guerra alias flako. *natureboy*, so der titel, wurde von gilles peterson mit dem prädikat *stunning* gelobt, die streicherarrangements des tracks *twelve o clock shadow*, der hier zu hören ist, stammen vom angesehenen westküsten-arrangeur miguel atwood-ferguson. zusätzlich vom album sind *shape of things to come* zu hören, außerdem die zwei nicht-album-tracks *demons lullaby* und *in to you*.

now living in warsaw, donnell knox was well known, along with black nation s jay denham for forging a tough, distinct kalamazoo techno sound in the 90s. his label, sonic mind, put out some very coveted, underground wax that still sounds unique, extra rugged, and fresh. well d-knox is now on a bit of a comeback mission it seems, with some really inspiring new material, and “africa calling”. the first version, created to donnell’s much loved “spirit man” alias, is a soulful trek through layers of pads and emotive synth work. the simple, but uplifting, vocal snippet really gives it an organic and spiritual feel, the tempo is driving and quick, but the overall vibe is laid back and deep. remixes come from the likes of brooklyn based titonton duvante, who maximizes a synth pattern to a form a beautiful, reaching, version, while canada’a rennie foster channels his futago traxx style to present a full on tribal, drum based mix with added vocal pieces. also, detroit transplant, now living in canada as well, j garrett goes in with a very emotional, warm, string laden take. the ep is capped off with another version from donnell that could stand as it’s own track really, a totally different, but equally as strong, version featuring a driving baseline and detroit style string vamps. a really nice release, worthy of your support, from a well loved veteran of the techno underground.

a welcome return for the mighty hardgroove label see s ben sim present his ron bacardi alias as well as new track in the middle featuring remixes by ron bacardi & vinalog as part of record stores day 2015. 12 inch clear vinyl in spined sleeve

following the success of the first three releases, polish imprint transatlantyk is back with more playful dance floor jams. this brand new offering showcases the unusual production talent of a well known polish hip-hop beatmaker lukasz maszczynski who until now was best known for serving fat beats for best underground rappers under his kixnare alias, under which he also released 3 solo albums on the polish u know me imprint. his new alter ego - universo - is dedicated to deep and raw house-oriented music, leaving soft, r&b infused electronic jams and raw sample-heavy beats behind. the ep opener amazones fuses rolling bass and synths with heavy drums and mind enhancing soundscapes, creating beautiful late night jam. chrome takes its sounds and inspirations out of chicago house playbook and works them to great effect. yebo is the perfect peak-time banger. its rolling, irresistible groove and chords are reminiscent of motor city drum ensemble s finest moments. fat, fresh and funky! closing the ep is sus , a deep ambient track with liquid-like synths pouring bits of melancholy on top of delicate drums. all four tracks have been road-tested by the transatantyk family and will be the source of endless fun for you and the dancers on the floor. ahoj!

* grooverider returns to headz with his codename john alias
* the avenger grooverider dons his gritty hat for this stepping roll out, all tense mids mid-range and snarls, perfect dancefloor material
* john & tony gangster samples from codename john on this one, cheeky steps and bass stabs are the order of the day
* saviour selector a clash tune if there was any, the war cry for all other selectors is there for them to take heed!